community Service means Business!

24 March 2011

Stylish Typography and Illustrations by Brent Couchman


Brent Couchman is a designer located in San Francisco. His works are totally amazing, very stylish with great use of colors to engage the viewer with such eye candy illustrations. Enjoy!

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You can find Brent at his website www.brentcouchman.com , at flickr, and dribble.


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman


Stylish Typography and Illustrations by Brent Couchman

About the author

Hi there! I'm Paulo Canabarro, 25 year old web designer from Brazil currently living in Providence RI, USA. I'm truly passionate about design of all kinds. Finding and sharing inspiration has become part of my life. If you have any suggestions or requests just get @ me - pvpcanabarro@gmail.com For some cool stuff make sure to Follow me on twitter!

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22 March 2011

Service to match volunteers

via Today's Tribune-Review on 3/22/11

Pittsburgh Mayor Luke Ravenstahl announced the creation on Tuesday of servePGH, a citywide service designed to match community volunteers with five service initiatives centered on youth engagement and neighborhood revitalization.

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Register as Sex Offenders

via The Curvature by Cara on 3/22/11

A black and white scan of a Lousiana identification card. The woman's indentifying personal information and photograph have been blurred beyond recognition. The most prominent text on the card are the expiration date, a notice stating "THIS IS NOT A DRIVER'S LICENSE," and bolded type below the photograph reading "SEX OFFENDER."Trigger Warning for descriptions of sexual violence and abuses against sex workers

Last week, Jordan Flaherty wrote an article at Colorlines about how sex workers are being punished under an archaic and punitive law that specifically targets those who are convicted of selling oral or anal sex (as opposed to vaginal sex). The law makes these sex workers open to being labeled as felons by police and prosecutors, and worst of all, forces them to register as sex offenders.

Last month, a coalition of advocates, including Women With A Vision and the Center for Constitutional Rights, filed a federal lawsuit challenging the statue:

Eve, who asked that we not reveal her real name or age, spent two years in prison. During her time behind bars she was raped and contracted HIV. Upon release, she was forced to register in the state’s sex offender database. The words “sex offender” now appear on her driver’s license. “I have tried desperately to change my life,” she says, but her status as a sex offender stands in the way of housing and other programs. “When I present my ID for anything,” she says, “the assumption is that you’re a child molester or a rapist. The discrimination is just ongoing and ongoing.”

Eve was penalized under Louisiana’s 205-year-old Crime Against Nature statute, a blatantly discriminatory law that legislators have maneuvered to keep on the state’s books for the purpose of turning sex workers into felons. As enforced, the law specifically singles out oral and anal sex for greater punishment for those arrested for prostitution, including requiring those convicted to register as sex offenders in a public database. Advocates say the law has further isolated poor women of color in particular, including those who are forced to trade sex for food or a place to sleep at night.

In 2003, the Supreme Court outlawed sodomy laws with its decision in Lawrence v. Texas. That ruling should have invalidated Louisiana’s law entirely. Instead, the state has chosen to only enforce the portion of the law that concerns “solicitation” of a crime against nature. The decision on whether to charge accused sex workers with a felony instead of Louisiana’s misdemeanor prostitution law is left entirely in the hands of police and prosecutors.

Prior to the lawsuit, Colorlines was covering the issue over a year ago. Melissa Gira Grant wrote about the suit at Third Wave right after it was filed last month, and the INCITE! Blog was on it both last year and earlier this month. You should definitely go check those articles out, as there’s no doubt that I’m behind. But I still think the issue is worth writing about and getting further attention.

As noted by Flaherty, Louisiana is the only U.S. state that requires people who have been convicted of crimes that do not involve minors or violence outside the sexual violence itself to register as sex offenders. Meghan’s Law, which created sex offender registries, was clearly intended to target rapists. Louisiana has actively made the choice to abuse the registry to further shame, punish, and vilify sex workers who have not committed any violence. Women are by far the primary target of these efforts, though gay and bisexual men are also incredibly vulnerable. Of the women targeted by the state, women who are non-white, trans, and/or poor are most open to attack.

People convicted under the Louisiana law must carry a state ID with the words “sex offender” printed below their name. If they have to evacuate because of a hurricane, they must stay in a special shelter for sex offenders that has no separate facilities for men and women. They have to pay a $60 annual registration fee, in addition to $250 to $750 to print and mail postcards to their neighbors every time they move. The post cards must show their names and addresses, and often they are required to include a photo. Failing to register and pay the fees, a separate crime, can carry penalties of up to 10 years in prison.

Women and men on the registry will also find their names, addresses, and convictions printed in the newspaper and published in an online sex offender database. The same information is also displayed at public sites like schools and community centers. Women—including one mother of three—have complained that because of their appearance on the registry, they have had men come to their homes demanding sex. A plaintiff in the suit had rocks thrown at her by neighbors. “This has forced me to live in poverty, be on food stamps and welfare,” explains a man who was on the list. “I’ve never done that before.”

In Orleans Parish, 292 people are on the registry for selling sex, versus 85 people convicted of forcible rape and 78 convicted of “indecent behavior with juveniles.” Almost 40 percent of those registered in Orleans Parish are there solely because they were accused of offering anal or oral sex for money. Seventy-five percent of those on the database for Crime Against Nature are women, and 80 percent are African American. Evidence gathered by advocates suggests a majority are poor or indigent.

There are several broad critiques to be made of sex offender registry programs. In addition to the racial profiling and discriminatory enforcement noted in the Colorlines article, there are also further questions regarding whether sex offender registries actually keep communities safer and/or lower recidivism rates. Support for sex offender registry programs generally, however, should not be viewed as in any way incompatible with thinking that the Louisiana system is being used as a means of violence and oppression against sex workers and must immediately be overturned.

This is not in any way about keeping communities safer. It is about further punishing and portraying as deviant those who have failed to comply with societal rules regarding sexuality, class, and womanhood. It’s not about making communities safer, it’s about specifically ensuring that these particular community members are as unsafe as possible. And in that sense, it’s certainly working.

Because of the way that sex workers are generally made vulnerable to violence, as well as the ways that prisoners face frequent sexual assault, the most callous part of this practice may be the fact that such large numbers of those forced to register as sex offenders for non-violent offenses are victims of sexual violence themselves. Most of the women and men profiled in these articles talk about having been raped, whether as adults or children, whether by clients or family members, by prison guards or fellow prisoners. They must register as sex offenders, be unable to find employment or residences, face harassment and assault, and bear scarlet letters on their identification while at the same time, probably all of their actual rapists do not have to do the same. They have not only been raped, but been given their rapists’ punishments. They have not only been raped, but told that they are like, or perhaps worse than, their actual rapists.

And while this form of punishment for an act that should not be illegal in the first place is not even remotely acceptable for those who do engage in sex work because it is their preferred profession, it is also worth noting that there are many sex workers who do sex work as a form of survival or have otherwise been coerced. These workers are already more likely to be in street-based economies, and therefore are more likely to be targeted by law enforcement and more likely to be singled out for felony instead of misdemeanor punishment as a result of judicial prejudice.

In other words, punishing people for what they choose to do with their own bodies, when those actions do not harm any other person, is unconscionable — as is punishing them specifically for selling forms of sex perceived as less acceptable by a cissexist, heterosexist, anti-sex society. But quite a few of those women and men who have been forced to register as sex offenders didn’t even necessarily have a choice. And for that, they have been branded by a racist, anti-trans, classist, anti-gay system.

It will be interesting to see how this case plays out, and whether the court will decide with power and oppression as usual, or with the people and justice.

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Gerald

via InvisiblePeople.tv by invisiblepeople on 3/22/11

I met Gerald sleeping on the steps of Fifth Avenue Presbyterian Church in New York City. Gerald is a Vietnam veteran who uses his military training to survive, keep clean and protect others.

This is a very powerful interview. Gerald talks about NYC politics on homelessness, and gives some insight into the challenges of trying to have good hygiene on the streets.

Please watch this interview. If it moves you, please leave a comment and forward to a friend.

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Talk to Me Like I'm Stupid: A Nuclear Reaction

via Ta-Nehisi Coates : The Atlantic by Ta-Nehisi Coates on 3/22/11

This video was e-mailed to me, and along with our own conversation last year, it really helped me understand Japan's reactor situation.

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Being Ballerina, Black and “Curvy.”

via PostBourgie by Naima on 3/22/11

In an interview with BlackVoices, Misty Copeland, aka the first black American ballet soloist at the American Ballet Theatre, talks candidly about how being fair-skinned may have given her an edge over other black American dancers with “perfect physiques”:

I’ve seen so many talented black women who come in with the perfect physique and still not get into this company or another one. I think it’s probably about timing as well but it definitely may have been because they were too dark. I think I was lucky to get in when I did and maybe they felt that position was filled.

A young black girl came into the company, and she’s fair-skinned like me. We have yet to see a dark-skinned woman come into the company. It’s a very touchy subject in general.

Copeland said it wasn’t until she reached her mid-twenties when stopped being uncomfortable with her 5′2 inch/102 pound frame. Those insecurities she attributes to the everyday pressures of being a woman, and a ballet dancer (an art form with criteria not too different from being a model that rests primarily on thinness and white European aesthetics).

In her own words:

…being a woman in general it’s hard to be completely comfortable and confident with how you look. Especially in an art form like this when it is about your physicality and what you look like. It’s difficult being critiqued and judged on that basis.

I had a breakthrough with accepting my body. I surrounded myself with other women who looked like me and who were successful – other successful black women. Even though they weren’t in my field, having that motivation helped me to come to terms and accept myself.

Although Copeland has taken turns flirting with the pop spotlight alongside the likes of Prince she has decided to keep her focus on becoming the first black American principal dancer at American Ballet Theatre.

Copeland’s choice to remain in the professional ballet circuit for the long haul but periodically using MSM as a means to expose her self to the general public is commendable. For those who may not otherwise see black women in pointe shoes–whether it’s because movie tickets for films about Black Swans only offer all-white casts or tickets to see Copeland perform are too costly–music videos like Crimson and Clover that showcase this talented ballerina may inspire younger generations of black women to refrain from nixing out ballet as a viable option for their dancing careers.

Even at dance schools that are predominantly black there are dance tropes that relegate black dancers, especially those who are also curvy, to steer clear from ballet. At the Ailey School, the teachers personal experiences of being shut out from the professional ballet circuit often were relayed to the students through bits of advice they offered. Pursuing ballet was just not encouraged although the program required us to slip into ballet slippers seven times a week. I had one ballet teacher advised me during a end-of-the-year evaluation to “Be a Rocket, go into contemporary modern dance you’ll be great…but you cannot be a ballerina.”

“Some black women give up and don’t do classical ballet dance” said Copeland in the BV interview “I want them to know that times are changing. The more people we have auditioning, they can’t deny talent.”

Now that’s advice worth pollinating.

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21 March 2011

Veena Malik schools a mullah about Islam

via Boing Boing by Sean Bonner on 3/21/11

[Video Link] Veena Malik is a Pakistani actress who appeared on the very popular Indian TV show Bigg Boss (the Indian version of Big Brother). In the clip above, a mullah tells her she brought shame on Pakistan with her behavior on the show, and that 100% of Pakistanis agree with him. The mullah also admits he didn't watch the show himself, but knows all of this to be true.

Veena responds by pretty much mopping up the floor with him. She points out out how her religion backs up her actions, where he's in violation of the same rules he's taking her to task for. She also says if he wishes to defend Islam, there are countless targets more deserving of close inspection, but here he is instead wasting his time complaining about an actress.

It's fantastic. The world needs to see more of this. Go Veena!

(via soupsoup)

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18 March 2011

Infographic: How Does a Gallon of Gas Compare to a Gallon of Other Liquids?

via GOOD by Cord Jefferson on 3/18/11

Infographic, Transparency, GOOD, gas prices, high, comparison, liquids, milk, coke, olive oil, honey
As Sarah Palin and others complain about $4-a-gallon gasoline, we can't help but wonder what the fuss is all about. Pound for pound, people pay far more than $4-a-gallon for lots of their favorite things all the time. Chill, baby, chill. 

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17 March 2011

America’s Theft Inflection Point

via Firedoglake by Jon Walker on 3/17/11

This article in the Huffington Post about how Treasury Secretary Tim Geithner is pushing the state attorneys general to quickly as possible “bring to bed” their investigations of the wide-scale systematic violations of law by the nation’s largest financial institutions is a great reminder that, in America, there is a very important theft-to-punishment inflection point for the super rich and powerful. As demonstrated in this graph:

When you steal things of minor value, the value of what you stole is correlated with the level of punishment you receive. Shoplifting a candy bar is going to result in less punishment than stealing a car.

At some point, you steal enough to basically reach the punishment limit, which is the flat part in the graph. You will likely get the same amount of jail time if you steal $3 million or $6 million.

Eventually, though, if you systematically break the law to steal such an absurdly large amount of money for a long enough time that you become so politically powerful and integral to the entire economy, you hit the magical theft inflection point. It is the amount at which you become too big to jail and, as you can see from the graph, accountability just drops off a cliff.

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16 March 2011

"Urban Quilts"

via Boing Boing by David Pescovitz on 3/16/11

 Images Qlt Sfchinatown Lg
Amy Ahlstrom creates striking quilts with urban themes, inspired by San Francisco, New York City, Tokyo, Kyoto, and Chicago. She's currently working on pieces informed by trips abroad to London, Paris, and Amsterdam. Seen above: "SFChinatown," (2007) 29.5" x 29.5" Dupioni silk and cotton. From Ahlstrom's artist statement:
My quilts are influenced by pop-art painters such as Mark Ryden and artists who have referenced a comic-strip drawing style such as Margaret Killgallen, in that I appreciate bold and graphic takes on images that are inspired by urban life. Though it is textile art rather than drawing or painting, my work is most comparable to that of pop, lowbrow and graffiti artists. My quilts are modern art pieces that happen to be rendered in fabric. I take quilts out of a rural context and bring them into present-day urban environments. My ReMix series of quilts are thematically and visually dense, full of sampled layers of meaning. They reflect the experience of city life, as seen through the graffiti, signs, and buildings present in every city. They serve as an anthropological record of an urban neighborhood, in that the images that I capture are constantly in a state of flux.
Amy Ahlstrom: Urban Quilter (Thanks, Sarah Milstein!)

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...But Wait...."Too Coked Up To Have Sex"

via Gothamist by Ben Yakas on 3/16/11

Thank God Some Young People Are Too Coked Up To Have Sex Earlier this month, we learned that teens and young adults have been having less sex than ever, according to a new study by the National Center for Health Statistics. Ever since, we've been extremely perplexed as to why those 20-somethings reportedly aren't—but thanks to a trend-baiting Observer piece, we have some ideas why now: it's because they're coked-up narcissists who attend shitty parties and are obsessed with Twitter! [ more › ]

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